Re-envisioning Information Literacy: Critical Information Literacy, Disciplinary Discourses, and Music History

  • Erin Conor University of Washington

Abstract

As educators, we recognize that it can be challenging to translate the research methods we learned in graduate school to our contemporary students, who are accustomed to the constantly shifting information buffet provided by sites such as Wikipedia, YouTube, SoundCloud, and the International Music Score Library Project (IMSLP). Students can struggle with the transition from an almost exclusive reliance on Google to the complex information environment, both print and online, that the typical university library provides and can be overwhelmed by the volume and variety of information they encounter. Our students also operate in an online environment that is politicized, monetized, and surveilled and we are only just beginning to understand the implications of this new environment. In light of these changes in the information landscape, this article introduces critical information literacy, a recent movement drawing upon critical theory and critical pedagogy, as a new approach for introducing discipline-specific research skills in the music history classroom.

Author Biography

Erin Conor, University of Washington

Erin Conor is the Head of the Music Library at the University of Washington. She regularly publishes and presents on issues relating to music information literacy, and her articles have appeared in Notes, Fontes Artis Musicae, and Music Reference Services Quarterly. Together with Beth Christensen and Marian Ritter, she is a co-editor of the recently published book Information Literacy in Music: An Instructor’s Companion.

Published
2019-02-02
Section
Special Section: Information Literacy and the Music History Classroom