AMS Studies in Music

The American Musicological Society, in collaboration with Oxford University Press, is pleased to sponsor the AMS Studies in Music.  Like its predecessor, the AMS Monographs series, AMS Studies in Music seeks to foster and support outstanding and innovative scholarship touching on music across the widest range of disciplinary and interdisciplinary arenas of inquiry.  The series welcomes submissions of any length exploring and transsecting musical issues from historical, theoretical, cultural, ethnological, and socio-political perspectives, among others.

Authors should submit a detailed proposal explaining the substance and importance of their work, the content of each chapter, the current status of the study, and a projected date for completion of the manuscript.  Along with the proposal they should also submit one or more sample chapters.  Two copies of proposals and sample chapters should be sent to:

Mary Hunter, Editor
AMS Studies in Music
Music Dept., Bowdoin College
900 College Station
Brunswick, ME 04011

Inquiries related to the series may be made directly to the editor, Mary Hunter: < m h u n t e r @ b o w d o i n . e d u >.

Editorial Board: Graeme Boone (Ohio State University), Richard Crawford (University of Michigan), Ellie Hisama (Columbia University), Robert Kendrick (University of Chicago), Susan McClary (UCLA), Thomas Riis (University of Colorado), Kay Kaufman Shelemay (Harvard University), Joseph Straus (CUNY), Kate van Orden (University of California, Berkeley).

See these books at the AMS Amazon store

Volumes already published

	Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, Oxford University Press. (AMS Studies, 6) ISBN 9780195148886. Buy it at Amazon
	Philip V. Bohlman, Jewish Music and Modernity, Oxford University Press, 2008. (AMS Studies, 5) ISBN 9780195178326. Buy it at Amazon			Kevin Karnes, Music, Criticism, and the Challenge of History. (AMS Studies, 4) Oxford University Press, 2008. ISBN 9780195368666. Buy it at Amazon
	Margaret Notley, Lateness and Brahms. (AMS Studies, 3) Oxford University Press, 2006. 254 pp. ISBN 0195305477. Buy it at Amazon			Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. (AMS Studies, 2) Oxford University Press, 2005. 424 pp. ISBN 0195154169. Buy it at Amazon
	Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. (AMS Studies, 1) Oxford University Press, 2002. 376 pp. ISBN 0195140230. Buy it at Amazon			Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. (AMS Monographs, 1) University of Nebraska Press, 1999. 326 pp. ISBN 0803212356. Buy it at Amazon

Forthcoming volumes

Marc Benamou, Rasa in Javanese music.

Hilary Poriss, Arias, Opera Singers and the Authority of Performance