AMS Studies in Music

The American Musicological Society, in collaboration with Oxford University Press, is pleased to sponsor the series AMS Studies in Music. This series seeks to support and promote outstanding and innovative musicological scholarship drawn from the widest possible range of perspectives and areas of inquiry that will appeal to a broad scholarly audience. Submissions that explore musical issues from any historical, theoretical, or ethnomusicological perspective are welcome. All books receive a subsidy from the AMS.

Authors should submit a detailed proposal explaining the substance and importance of their work, the content of each chapter, the current status of the study, and a projected date for completion of the manuscript. Along with the proposal they should also submit one or more sample chapters.

An electronic copy of the proposal and sample chapters should be sent to:

Jann Pasler
Editor, AMS Studies in Music
jann.pasler@ucsd.edu

Editorial Board: The AMS Publications Committee serves as Editorial Board for the series: Celia Applegate, Philip Bohlman, Caryl Clark, Victor Coelho, Richard Crawford, Julie E. Cumming, Walter Frisch, Wendy Heller, Jeffrey Magee, Simon Morrison, Judith Peraino, W. Anthony Sheppard, Robin Wallace

Financial support for AMS Studies is provided by the National Endowment for the Humanities, the Andrew W. Mellon Foundation, The Gladys Kriebel Delmas Foundation, and the generous contributions of many individual donors.


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See these books at the Oxford University Press web site

Exclusively from Oxford University Press: AMS members receive 30% discount on AMS Studies volumes. Click here to view how to take advantage of this offer and other AMS Member benefits.

Volumes already published

Paul Berry, Brahms Among Friends Listening, Performance, and the Rhetoric of Allusion, Oxford University Press, 2014. (AMS Studies, 12) ISBN 9780199982646. Buy it at Amazon      
Joshua S. Walden, Sounding Authentic The Rural Miniature and Musical Modernism, Oxford University Press, 2014. (AMS Studies, 11) ISBN 9780199334667. Buy it at Amazon   Gurminder Kaur Bhogal, Details of Consequence Ornament, Music, and Art in Paris, Oxford University Press, 2013. (AMS Studies, 10) ISBN 978-0199795055. Buy it at Amazon

Jesse Rodin, Josquin's Rome: Hearing and Composing in the Sistine Chapel, Oxford University Press, 2012. (AMS Studies, 9) ISBN 978-0199844302. Buy it at Amazon

 

Marc Benamou, Rasa: Affect and Intuition in Javanese Musical Aesthetics, Oxford University Press, 2010. (AMS Studies, 8) ISBN: 9780195189438. Buy it at Amazon

Hilary Poriss

Hilary Poriss, Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford University Press, 2009. (AMS Studies, 7) Buy it at Amazon

  Charles M. Atkinson

Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, Oxford University Press, 2009. (AMS Studies, 6) ISBN 978-0195148886. Buy it at Amazon

Philip V. Bohlman, Jewish Music and Modernity, Oxford University Press, 2008. (AMS Studies, 5) ISBN 978-0195178326. Buy it at Amazon

  Kevin Karnes

amazonKevin Karnes, Music, Criticism, and the Challenge of History, Oxford University Press, 2008. (AMS Studies, 4). ISBN 978-0195368666. Buy it at Amazon

Notley

Margaret Notley, Lateness and Brahms,Oxford University Press, 2006. (AMS Studies, 3) ISBN 0195305477. Buy it at Amazon

  Glixon

amazonBeth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice, Oxford University Press, 2005. (AMS Studies, 2) ISBN 0195154169. Buy it at Amazon

Lawrence Zbikowski

Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis, Oxford University Press, 2002. (AMS Studies, 1) ISBN 0195140230. Buy it at Amazonamazon

  Boone

Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. (AMS Monographs, 1) University of Nebraska Press, 1999.  ISBN 0803212356. Buy it at Amazon


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