Publications supported by
AMS Publication Subventions
2017 and earlier

2016    2015    2013-2014   2011-2012   2007-2010   2001-2006   1997-2000   1996 and earlier    Forthcoming

•    See the latest round of subvented books


2017

Andrew Talle

Andrew Talle, Beyond Bach : music and everyday life in the eighteenth century. University of Illinois Press. ISBN 978-0-252-04084-9. Supported by the AMS 75 PAYS Endowment.

Benedict Taylor

Benedict Taylor, Towards a Harmonic Grammar of Grieg’s Late Piano Music: Nature and Nationalism. Routledge. ISBN 9781472456588. Supported by the Joseph Kerman Endowment.

Kelly St. Pierre

Kelly St. Pierre, Bedřich Smetana: Myth, Music, and Propaganda. Boydell & Brewer. ISBN 9781580465106. Supported by the AMS 75 PAYS Endowment.

Jean R. Freedman

Jean R. Freedman, Peggy Seeger: A Life of Music, Love, and Politics. University of Illinois Press. ISBN 978-0-252-04075-7. Supported by the Manfred Bukofzer Endowment.

Johann Gottfried Herder and Philip Bohlman

Johann Gottfried Herder and Philip Bohlman, Song Loves the Masses: Herder on Music and Nationalism. University of California Press. ISBN 9780520234949. Supported by the John Daverio Endowment.

Seth Brodsky

Seth Brodsky, From 1989, or European Music & the Modernist Unconscious. University of California Press. ISBN 9780520279360. Supported by the AMS 75 PAYS Endowment.

Nancy Yunhwa Rao

Nancy Yunhwa Rao, Chinatown Opera Theater in North America. University of Illinois Press. ISBN 978-0-252-04056-6. Supported by the AMS 75 PAYS Endowment.

Sharon Ammen

Sharon Ammen, May Irwin: Singing, Shouting, and the Shadow of Minstrelsy. University of Illinois Press. ISBN 9780252040658. Supported by the AMS 75 PAYS Endowment.


2016

Sydney Hutchinson

Sydney Hutchinson, Tigers of a Different Stripe: Performing Gender in Dominican Music. University of Chicago Press. ISBN 9780226405322. Supported by the Manfred Bukofzer Endowment.

Eva Moreda Rodríguez

Eva Moreda Rodríguez, Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press. ISBN 9780190215866. Supported by the AMS 75 PAYS Endowment.

Rebecca Harris-Warrick

Rebecca Harris-Warrick, Dance and Drama in French Baroque Opera: A History. Cambridge University Press. ISBN 9781107137899. Supported by the James R. Anthony Endowment.

Eliot Bates

Eliot Bates, Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture . Oxford University Press. ISBN 9780190215736. Supported by the Manfred Bukofzer Endowment.

Walter Zev. Feldman

Walter Zev. Feldman, Klezmer: Music, History, and Memory . Oxford University Press. ISBN 9780190244514. Supported by the AMS 75 PAYS Endowment.

Marc Gidal

Marc Gidal, Spirit song : Afro-Brazilian religious music and boundaries. Oxford University Press. ISBN 9780199368228. Supported by the AMS 75 PAYS Endowment.

Daniel Harrison

Daniel Harrison, Pieces of Tradition: An Analysis of Contemporary Tonal Music. Oxford University Press. ISBN 9780190244460. Supported by the Lloyd Hibberd Endowment.

Chérie Rivers Ndaliko

Chérie Rivers Ndaliko, Necessary Noise: Art, Music, and Charitable Imperialism in the East of Congo. Oxford University Press. ISBN 9780190499570. Supported by the AMS 75 PAYS Endowment.

Jesus A. Ramos-Kittrell

Jesus A. Ramos-Kittrell, Playing in the Cathedral: Music, Race, and Social Status in Eighteenth-Century Mexico City. Oxford University Press. ISBN 9780190236816. Supported by the AMS 75 PAYS Endowment.

Markus Rathey

Markus Rathey, Johann Sebastian Bach’s Christmas Oratorio: Music, Theology, Culture . Oxford University Press. ISBN 9780190275259. Supported by the Lloyd Hibberd Endowment.

Tamara Roberts

Tamara Roberts, Resounding Afro-Asia: Interracial Music and the Performance of Unity. Oxford University Press. ISBN 9780199377411. Supported by the Dragan Plamenac Endowment.

Benedict Taylor

Benedict Taylor, The Melody of Time: Music and Temporality in the Romantic Era. Oxford University Press. ISBN 9780190206055. Supported by the John Daverio Endowment.

Benjamin Teitelbaum

Benjamin Teitelbaum, Lions of the North: Music and New Nordic Radical Nationalism . Oxford University Press. ISBN 9780190212599. Supported by the AMS 75 PAYS Endowment.

Joan Titus

Joan Titus, The early film music of Dmitry Shostakovich. Oxford University Press. ISBN 9780199315147. Supported by the AMS 75 PAYS Endowment.

Nicholas Tochka

Nicholas Tochka, Audible States: The Political Economy of Popular Music-Making in Albania Since 1945 . Oxford University Press. ISBN 9780190467814. Supported by the AMS 75 PAYS Endowment.

Kofi Agawu

Kofi Agawu, The African Imagination in Music. Oxford University Press. ISBN 9780190263218. Supported by the Manfred Bukofzer Endowment.

Roger Moseley

Roger Moseley, Keys to Play: Music as a Ludic Medium from Apollo to Nintendo. University of California Press. ISBN 9780520291249. Supported by the AMS 75 PAYS Endowment.

Karol Berger

Karol Berger, Beyond Reason: Wagner contra Nietzsche. University of California Press. ISBN 9780520292758. Supported by the Joseph Kerman Endowment.

Rebecca Cypess

Rebecca Cypess, “Curious and Modern Inventions”: Music and Instrumentality in Early Modern Italy. University of Chicago Press. ISBN 9780226319445. Supported by the AMS 75 PAYS Endowment.

Luisa Nardini

Luisa Nardini, Interlacing Traditions: Neo-Gregorian Chant in Beneventan Manuscripts. Pontifical Institute of Medieval Studies. ISBN 9780888442055. Supported by the AMS 75 PAYS Endowment.

Richard Kramer

Richard Kramer, Cherubino's Leap: In Search of the Enlightenment Moment. University of Chicago Press. ISBN 9780226377896. Supported by the Otto Kinkeldey Endowment.

Emily Wilbourne

Emily Wilbourne, Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. University of Chicago Press. ISBN 9780226401577. Supported by the AMS 75 PAYS Endowment.

Deirdre Loughridge

Deirdre Loughridge, Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Romanticism. University of Chicago Press. ISBN 9780226337098. Supported by the AMS 75 PAYS Endowment.

Alexander Stefaniak

Alexander Stefaniak, Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press. ISBN 9780253021991. Supported by the AMS 75 PAYS Endowment.

Donald G. Traut

Donald G. Traut, Stravinsky's "Great Passacaglia": Recurring Elements in the Concerto for Piano and Wind Instruments. University of Rochester Press. ISBN 9781580465137. Supported by the AMS 75 PAYS Endowment.

Andrew R. Walkling

Andrew R. Walkling, Masque and Opera in England, 1656-1688. Routledge. ISBN 9781472446534. Supported by the AMS 75 PAYS Endowment.

Giorgio Biancorosso

Giorgio Biancorosso, Situated Listening: The Sound of Absorption in Classical Cinema. Oxford University Press. ISBN 9780195374711. Supported by the AMS 75 PAYS Endowment.

Wriggle

John Wriggle, Blue Ryythm Fantasy: Big Band Jazz Arranging in the Swing Era. University of Illinois Press. ISBN 978-0-252-04040-5. Supported by The AMS 75 PAYS Endowment.

Don M. Randel (Editor), Matthew Shaftel (Editor), Susan Forscher Weiss, A Cole Porter Companion. University of Illinois Press . ISBN 978-0252081583. Supported by the Donna Cardamone Jackson Endowment.

Gavin Steingo

Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. University of Chicago Press. ISBN 978-0226362540. Supported by AMS 75 PAYS Endowment.

Jeffrey Summit

Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism. Oxford University Press. ISBN 978-0190497088. Supported by the Dragan Plamenac Endowment.

Colleen Reardon

Colleen Reardon, A Sociable Moment: Opera and Festive Culture in Baroque Siena. Oxford University Press. ISBN 978-0190496302. Supported by the Gustave Reese Endowment.

Jean E. Snyder

Jean E. Snyder, [title]. University of Illinois Press. ISBN 978-0252039942. Supported by the Lloyd Hibberd Endowment.

Jonathan Glasser

Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa. University of Chicago Press. ISBN 978-0226327235. Supported by AMS 75 PAYS Endowment.

Bruce Haynes and Geoffrey Burgess

Bruce Haynes and Geoffrey Burgess, The Pathetick Musician: Moving an Audience in the Age of Eloquence. Oxford University Press. ISBN 978-0199373734. Supported by the Margarita M. Hanson Endowment.

Thomas H. Greenland

Thomas H. Greenland, Jazzing: New York City's Unseen Scene. University of Illinois Press. ISBN 978-0252081606. Supported by AMS 75 PAYS Endowment.

Jeffrey Swinkin

Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press. ISBN 978-1580465267. Supported by AMS 75 PAYS Endowment.

Thomas Patteson

Thomas Patteson, Instruments for New Music: Sound, Technology, and Modernism . University of California Press. ISBN 978-0520288027. Supported by AMS 75 PAYS Endowment.

Bradley Shope

Bradley Shope, American Popular Music in Britain's Raj. University of Rochester Press. ISBN 978-1580465489. Supported by AMS 75 PAYS Endowment.

Lawrence Kramer

Lawrence Kramer, The Thought of Music. University of California Press. ISBN 978-0520288805. Supported by the Joseph Kerman Endowment.

Douglas Shadle

Douglas Shadle, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise. Oxford University Press. ISBN 978-0199358649. Supported by AMS 75 PAYS Endowment.


2015

Kimberly Francis

Kimberly Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon. Oxford University Press. ISBN 978-0199373697. Supported by AMS 75 PAYS Endowment.

Kate van Orden

Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Oxford University Press. ISBN 978-0199360642. Supported by the Margarita M. Hanson Endowment.

Nina Sun Eidsheim

Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice. Duke University Press. ISBN 978-0822360612. Supported by AMS 75 PAYS Endowment.

Paul F. Rice

Paul F. Rice, Venanzio Rauzzini in Britain. University of Rochester Press. ISBN 978-1580465328. Supported by the Margarita M. Hanson Endowment.

J. Martin Daughtry

J. Martin Daughtry, Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq Oxford University Press. ISBN 978-0199361496. Supported by AMS 75 PAYS Endowment.

Bryan Proksch

Bryan Proksch, Reviving Haydn. University of Rochester Press. ISBN 978-1580465120. Supported by AMS 75 PAYS Endowment.

Judy Lochhead

Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. Routledge. ISBN 978-1138824331. Supported by the Lloyd Hibberd Endowment.

Ronnie Gilbert

Ronnie Gilbert, Ronnie Gilbert: A Radical Life in Song. University of California Press. ISBN 978-0520253087. Supported by the Gustave Reese Endowment.

Ryan Thomas Skinner

Ryan Thomas Skinner, Bamako Sounds: The Afropolitan Ethics of Malian Music. University of Minnesota Press. ISBN 978-0816693504. Supported by AMS 75 PAYS Endowment.

Sarah Gutsche-Miller

Sarah Gutsche-Miller, Parisian Music-Hall Ballet, 1871-1913. University of Rochester Press . ISBN 978-1580464420. Supported by AMS 75 PAYS Endowment.

Tanya Merchant

Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory . University of Illinois Press. ISBN 978-0252081064. Supported by AMS 75 PAYS Endowment.

Paul Schleuse

Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. Indiana University Press. ISBN 978-0253015013. Supported by the Margarita M. Hanson Endowment.

Marie Sumner Lott

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities. University of Illinois Press. ISBN 978-0252039225. Supported by AMS 75 PAYS Endowment.

Katelijne Schiltz

Katelijne Schiltz, Music and Riddle Culture in the Renaissance. Cambridge University Press. ISBN 978-1107082298. Supported by the Martin Picker Endowment.

Christopher Alan Reynolds

Christopher Alan Reynolds, Wagner, Schumann, and the Lessons of Beethoven's Ninth. University of California Press. ISBN 978-0520285569. Supported by the Joseph Kerman Endowment.

Martha Feldman

Martha Feldman, The Castrato: Reflections on Natures and Kinds. University of California Press. ISBN 978-0520279490. Supported by the Gustave Reese Endowment.

Anna Zayaruznaya

Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge University Press. ISBN 978-1107039667. Supported by the Otto Kinkeldey Endowment.

Danielle Fosler-Lussier

Danielle Fosler-Lussier, Music in America's Cold War Diplomacy. University of California Press. ISBN 978-0520284135. Supported by the Gustave Reese Endowment.

Sharon Meredith

Sharon Meredith, Tuk Music Tradition in Barbados. Ashgate Publishing. ISBN 978-1472440273. Supported by the Otto Kinkeldey Endowment.

Amy C. Beal

Amy C. Beal, Johanna Beyer (American Composers). University of Illinois Press. ISBN 978-0252080722. Supported by the Manfred Bukofzer Endowment.

Amy C. Beal

Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980. Oxford University Press. ISBN 978-0199377060. Supported by AMS 75 PAYS Endowment.


Forthcoming



Awarded Fall 2016

David Beach, The Late Instrumental Music of Franz Schubert: A Theorist's Perspective (University of Rochester Press); supported by the Otto Kinkeldey Endowment

Harriet Boyd-Bennett, The Politics of Opera in Postwar Venice (Cambridge University Press); supported by the AMS 75 PAYS Endowment

Rogerio Budasz, Opera in the Tropics: Theater and music in early-modern Brazil (Oxford University Press); supported by the Lloyd Hibberd Endowment

Joanne Cormac, Liszt and the Symphonic Poem (Cambridge University Press); supported by the Claire and Barry Brook Endowment

Jonathan De Souza, Music at Hand: Instruments, Bodies, and Cognition (Oxford University Press); supported by the AMS 75 PAYS Endowment

Joseph Dyer, The Scientia artis musice (1274) of Hélie Salomon: Teaching Music in the Late Thirteenth Century (Routledge); supported by the Kenneth Levy Endowment

Stefan Fiol, Recasting Folk: Music, Media, and Social Mobility in the Indian Himalayas (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Angela Fiore, Musica nelle istituzioni religiose femminili a Napoli (1650-1750) (Peter Lang); supported by the AMS 75 PAYS Endowment

Andy Flory, I Hear a Symphony: Motown and Crossover R&B (University of Michigan Press); supported by the Dragan Plamenac Endowment

Jonathan Glixon, Mirrors of Heaven or Worldly Theatres?: Venetian Nunneries and Their Music (Oxford University Press); supported by the Margarita M. Hanson Endowment

Dana Gooley, Sounding Side-ways: Improvisational Aesthetics in Nineteenth Century Music (Oxford University Press); supported by the Gustave Reese Endowment

Erinn Knyt, Ferruccio Busoni and his Legacy (Indiana University Press); supported by the AMS 75 PAYS Endowment

Gerhard Kubik, Jazz Transatlantic I and II (University Press of Mississippi); supported by the Manfred Bukofzer Endowment

Samuel Llano, Discordant Notes: Marginality and Social Disorder in Madrid, 1850-1930 (Oxford University Press); supported by the Otto Kinkeldey Endowment

Stephen A. Marini, The Cashaway Psalmody: Transatlantic Religion and Music in Colonial Carolina (University of Illinois Press); supported by the Lloyd Hibberd Endowment

Valerio Morucci, Baronial Patronage and Music in Renaissance and Early Baroque Rome (Routledge); supported by the Gustave Reese Endowment

Lonán Ó Briain, Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam (Oxford University Press); supported by the AMS 75 PAYS Endowment

Nathan Platte, Making Music in Selznick’s Hollywood (Oxford University Press); supported by the AMS 75 PAYS Endowment

Katherine Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America (Oxford University Press); supported by the Claire and Barry Brook Endowment

Kelly St. Pierre, Bedrich Smetana: Myth, Music, and Propaganda (Boydell & Brewer); supported by the AMS 75 PAYS Endowment

Joshua Walden, Musical Portraiture: The Composition of Identity in Contemporary and Experimental Music (Oxford University Press); supported by the Manfred Bukofzer Endowment

Marianne Wheeldon, Debussy’s Legacy and the Construction of Reputation (Oxford University Press); supported by the Dragan Plamenac Endowment


Awarded Spring 2016

Richard Bamman, Antimodern Machines: Building New Banjos for an Old-Time World (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Michael and Elizabeth Kertesz Christoforidis, Carmen: Cultural Authenticity and the Shaping of a Global Icon (Oxford University Press); supported by the Donna Cardamone Jackson Endowment

Philip Gentry, American Sounds: Music and Cold War Identity (Oxford University Press); supported by the AMS 75 PAYS Endowment

Jonathan Rhodes Lee, Premier livre de pieces de clavecin (1759) (A-R Editions); supported by the James R. Anthony Endowment

Frank Lehman, Hollywood Harmony: Analyzing Wonder in American Film Music (Oxford University Press); supported by the Claire and Barry Brook Endowment

Michael Maul, “Dero Beruhmbter Chor”: Die Leipziger Thomasschule und ihre Kantoren, 1212–1804 (Boydell & Brewer); supported by the Margarita M. Hanson Endowment

Sarah Morelli, Tales of a Modern Guru: Pandit Chitresh Das and Indian Classical Dance in Diaspora (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Esther Morgan-Ellis, Community Singing in the American Picture Palace (University of Georgia Press); supported by the AMS 75 PAYS Endowment

Anna Lara Stoll Knecht, Mahler’s Seventh Symphony (Oxford University Press); supported by the Claire and Barry Brook Endowment

Denise Von Glahn, Libby Larsen: Composing an American Life (University of Illinois Press); supported by the Dragan Plamenac Endowment


Awarded Earlier

Peter Bennett, "Hearing King David in Early Modern France: Politics, Prayer, and Louis XIII’s Musique de la Chambre" (JAMS); supported by the James R. Anthony Endowment

Felicia Miyakawa, “Sometimes I Feel Like a Motherless Child”: The Transformative Journey of an American Song (Oxford University Press); supported by the Dragan Plamenac Endowment

Stephanie Vander Wel, Hillbilly Maidens and Cowboys' Sweethearts: Country Music and the Gendering of Class (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Michael Ochs, Joseph Rumshinsky, Di goldene kale (1923). Full-Score Critical Edition. (A-R Editions); supported by the Endowment

Sonia Seeman, Sounding Roman: Music and Performing Identity in Western Turkey (Oxford University Press); supported by the AMS 75 PAYS Endowment

Herbert Kellman, The Chigi Codex: A Monument of Late Burgundian Music and Art (University of Chicago Press); supported by the Picker Endowment

Margarita Mazo, Billee Bonse, and Olga Haldey, Igor Stravinsky's Les Noces (A-R Editions); supported by the Dragan Plamenac Endowment

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