Publications supported by AMS Publication Subventions 2014

2013    2011-2012   2007-2010   2001-2006   1997-2000   1996 and earlier    Forthcoming

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2014

Meredith Kirkpatrick

Meredith Kirkpatrick, ed., Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar. University of Rochester Press. ISBN 978-1580465014. Supported by the Hibberd Endowment.
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Geoffrey Baker

Geoffrey Baker, El Sistema: Orchestrating Venezuela's Youth. Oxford University Press. ISBN 978-0199341559. Supported by the Manfred Bukofzer Endowment.
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Ryan Raul Bañagale

Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-0199978380. Supported by AMS 75 PAYS Endowment.
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Mark Kroll

Mark Kroll, Ignaz Moscheles and the Changing Face of Musical Europe. Boydell Press. ISBN 978-1843839354. Supported by the Brook Endowment.
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Andrew Granade

Andrew Granade, Harry Partch, Hobo Composer. University of Rochester Press. ISBN 978-1580464956. Supported by AMS 75 PAYS Endowment.
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Michael Slowik

Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press. ISBN 978-0231165839. Supported by AMS 75 PAYS Endowment.
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Scott Messing

Scott Messing, Marching to the Canon: The Life of Schubert's "Marche militaire". University of Rochester Press. ISBN 978-1580464383. Supported by the Kerman Endowment.
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David Schulenberg

David Schulenberg, The Music of Carl Philipp Emanuel Bach. University of Rochester Press. ISBN 978-1580464819. Supported by the Kinkeldey Endowment.
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Ryan Raul Bañagale

Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-019997838-0. Supported by AMS 75 PAYS Endowment.
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Katherine R. Syer

Katherine R. Syer, Wagner's Visions: Poetry, Politics, and the Psyche in the Operas through "Die Walküre". University of Rochester Press . ISBN 978-1580464826. Supported by the Kinkeldey Endowment.
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Ivan Raykoff

Ivan Raykoff, Dreams of Love: Playing the Romantic Pianist. Oxford University Press. ISBN 978-0199892679. Supported by the Kinkeldey Endowment.
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D. Rose Elder

D. Rose Elder, Why the Amish Sing: Songs of Solidarity and Identity. Johns Hopkins University Press. ISBN 978-1421414652. Supported by the Hibberd Endowment.
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Julia Byl

Julia Byl, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press. ISBN 978-0819574794. Supported by AMS 75 PAYS Endowment.
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Jennifer Fleeger

Jennifer Fleeger, Mismatched Women: The Siren's Song Through the Machine. Oxford University Press. ISBN 978-019993691-5. Supported by AMS 75 PAYS Endowment.
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William Cheng

William Cheng, Sound Play: Video Games and the Musical Imagination. Oxford University Press. ISBN 978-0199969975. Supported by AMS 75 PAYS Endowment.
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Catherine Grant

Catherine Grant, Music Endangerment: How Language Maintenance Can Help. Oxford University Press . ISBN 978-0199352173. Supported by AMS 75 PAYS Endowment.
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Carol J. Oja

Carol J. Oja, Bernstein Meets Broadway: Collaborative Art in a Time of War. Oxford University Press. ISBN 978-0199862092. Supported by AMS 75 PAYS and the Plamenac Endowments.
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Nadine Hubbs

Nadine Hubbs, Rednecks, Queers, and Country Music . University of California Press . ISBN 978-0520280663. Supported by the Plamenac Endowment.
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Matthew McDonald, Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives . Indiana University Press. ISBN 978-0253012739. Supported by AMS 75 PAYS Endowment.
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Maureen A. Carr

Maureen A. Carr , After the Rite: Stravinsky's Path to Neoclassicism (1914-1925). Oxford University Press. ISBN 978-0199742936. Supported by the Kinkeldey Endowment.
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Wye Jamison Allanbrook

Wye Jamison Allanbrook, The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. University of California Press. ISBN 978-0520274075. Supported by the Kinkeldey Endowment.
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Silvio J. dos Santos

Silvio J. dos Santos, Narratives of Identity in Alban Berg's Lulu. University of Rochester Press. ISBN 978-1-58046-483-3. Supported by AMS 75 PAYS Endowment.
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David M. Powers

David M. Powers, From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789. Michigan State University Press. ISBN 978-1611861204. Supported by the Hibberd Endowment.
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Catherine Saucier

Catherine Saucier, A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liege. University of Rochester Press. ISBN 978-1580464802. Supported by AMS 75 PAYS Endowment.
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Eric Chafe

Eric Chafe, J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. Oxford University Press. ISBN 978-0199773343. Supported by the Hanson Endowment.
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Peter Franklin

Peter Franklin, Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds University of California Press. ISBN 978-0520280397. Supported by the Daverio Endowment.
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Joshua S. Walden

Joshua S. Walden, Sounding Authentic: The Rural Miniature and Musical Modernism. Oxford University Press. ISBN 978-0199334667. Supported by the Brook Endowment.
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2013

Ellen Rosand

Ellen Rosand, Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production. Ashgate Publishing, Ltd.. ISBN 978-1409412182. Supported by the Hanson Endowment.
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Lila Ellen Gray

Lila Ellen Gray, Fado Resounding: Affective Politics and Urban Life. Duke University Press. ISBN 978-0822354710. Supported by AMS 75 PAYS Endowment.
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Emma Hornby and Rebecca Maloy

Emma Hornby and Rebecca Maloy, Music and Meaning in Old Hispanic Lenten Chants. Boydell Press. ISBN 978-1843838142. Supported by the Kerman Endowment.
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Gurminder Kaur Bhogal

Gurminder Kaur Bhogal, Details of Consequence: Ornament, Music, and Art in Paris. Oxford University Press. ISBN 978-0199795055. Supported by AMS 75 PAYS Endowment.
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Kevin C. Karnes

Kevin C. Karnes, A Kingdom Not of This World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna. Oxford University Press. ISBN 978-0199957927. Supported by the Jackson Endowment.
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John H. Baron

John H. Baron, Concert Life in Nineteenth-Century New Orleans. Louisiana State University Press. ISBN 978-0807150825. Supported by the Reese Endowment.
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Matthew Head

Matthew Head, Sovereign Feminine: Music and Gender in Eighteenth-Century Germany. University of California Press. ISBN 978-0520273849. Supported by the Manfred Bukofzer Endowment.
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Guthrie P. Ramsey

Guthrie P. Ramsey, The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop. University of California Press. ISBN 978-0520243910. Supported by the Reese Endowment.
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Patrick Warfield

Patrick Warfield, Making the March King: John Philip Sousa's Washington Years, 1854-1893. University of Illinois Press. ISBN 978-0-252-03779-5. Supported by the Manfred Bukofzer Endowment.
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Byron Dueck

Byron Dueck, Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance. Oxford University Press. ISBN 978-0199747658. Supported by AMS 75 PAYS Endowment.
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Nick Wilson

Nick Wilson, The Art of Re-enchantment: Making Early Music in the Modern Age. Oxford University Press. ISBN 978-0199939930. Supported by AMS 75 PAYS Endowment.
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Holly Rogers

Holly Rogers, Sounding the Gallery: Video and the Rise of Art-Music. Oxford University Press. ISBN 978-0199861422. Supported by the Jackson Endowment.
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Sumanth Gopinath

Sumanth Gopinath, The Ringtone Dialectic: Economy and Cultural Form. The MIT Press. ISBN 0262019159. Supported by AMS 75 PAYS Endowment.
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Justin A. Williams

Justin A. Williams, Rhymin' and Stealin': Musical Borrowing in Hop-hop. University of Michigan Press. ISBN 0472118927. Supported by AMS 75 PAYS Endowment.
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Matt Sakakeeny

Matt Sakakeeny, Roll With It: Brass Bands in the Streets of New Orleans. Duke University Press. ISBN 978-0822355670. Supported by AMS 75 PAYS Endowment.
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Katherine Spring

Katherine Spring, Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema. Oxford University Press. ISBN 978-0199842223. Supported by AMS 75 PAYS Endowment.
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Kate McQuiston

Kate McQuiston, We'll Meet Again: Musical Design in the Films of Stanley Kubrick. Oxford University Press. ISBN 0199767661. Supported by AMS 75 PAYS Endowment.
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Carol Vernallis

Carol Vernallis, Unruly Media: YouTube, Music Video, and the New Digital Cinema. Oxford University Press. ISBN 0199767009. Supported by the Manfred Bukofzer Endowment.
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Christopher J. Smith

Christopher J. Smith, The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. University of Illinois Press. ISBN 0252037766. Supported by the Brook and the Picker Endowments.
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Lewis Lockwood, Alan Gosman, edit

Lewis Lockwood, Alan Gosman, editors, Beethoven's "Eroica" Sketchbook: A Critical Edition. University of Illinois Press. ISBN 978-0252037436. Supported by the Manfred Bukofzer Endowment.
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Gundula Kreuzer

Gundula Kreuzer, Verdi and the Germans: From Unification to the Third Reich. Cambridge University Press. ISBN 978-0521519199. Supported by the Kerman Endowment.
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Mary Simonson

Mary Simonson, Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century. Oxford University Press. ISBN 978-0199898039. Supported by AMS 75 PAYS Endowment.
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Christine Suzanne Getz

Christine Suzanne Getz, Mary, Music, and Meditation: Sacred Conversations in Post-Tridentine Milan. Indiana University Press. ISBN 0253007872. Supported by the Hibberd Endowment.
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Bettina Varwig

Bettina Varwig, Histories of Heinrich Schütz. Cambridge University Press. ISBN 0253007872. Supported by AMS 75 PAYS Endowment.
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Alexandra T. Vazquez

Alexandra T. Vazquez, Listening in Detail: Performances of Cuban Music. Duke University Press. ISBN 0822354586. Supported by AMS 75 PAYS Endowment.
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Maureen Jackson

Maureen Jackson, Mixing Musics: Turkish Jewry and the Urban Landscape of a Sacred Song. Stanford University Press. ISBN 0804780153. Supported by AMS 75 PAYS Endowment.
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Heather Wiebe

Heather Wiebe, Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction. Cambridge University Press. ISBN 0521194679. Supported by AMS 75 PAYS Endowment.
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Sheryl Kaskowitz

Sheryl Kaskowitz, God Bless America: The Surprising History of an Iconic Song. Oxford University Press. ISBN 0199919771. Supported by AMS 75 PAYS Endowment.
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E. Douglas Bomberger

E. Douglas Bomberger, MacDowell. Oxford University Press. ISBN 0199899296. Supported by the Daverio Endowment.
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Phil Ford

Phil Ford, Dig: Sound and Music in Hip Culture. Oxford University Press. ISBN 0199939918. Supported by AMS 75 PAYS Endowment.
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Drew Massey

Drew Massey, John Kirkpatrick, American Music, and the Printed Page. University of Rochester Press. ISBN 1580464041. Supported by AMS 75 PAYS Endowment.
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Stephanie Jensen-Moulton, ed.

Stephanie Jensen-Moulton, ed., Miriam Gideon, Fortunato: Orchestration of Scene 1. A-R Editions, Inc. ISBN 0895797690. Supported by AMS 75 PAYS Endowment.
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Stephanie Jensen-Moulton, ed.

Stephanie Jensen-Moulton, ed., Miriam Gideon, Fortunato: An Opera in Three Scenes (1958). A-R Editions, Inc. ISBN 0895797674. Supported by AMS 75 PAYS Endowment.
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S. Alexander Reed

S. Alexander Reed, Assimilate: A Critical History of Industrial Music. Oxford University Press. ISBN 0199832587. Supported by AMS 75 PAYS Endowment.
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Jeanice Brooks

Jeanice Brooks, The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars. Cambridge University Press. ISBN 1107009146. Supported by the Hibberd Endowment.
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Gregory S. Johnston

Gregory S. Johnston, A Heinrich Schütz Reader. Oxford University Press. ISBN 978-0-19-981220-2. Supported by AMS 75 PAYS Endowment.
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Walter Aaron Clark & William Craig Krause

Walter Aaron Clark & William Craig Krause, Federico Moreno Torroba: A Musical Life in Three Acts. Oxford University Press. ISBN 978-0-19-531370-3. Supported by the Daverio Endowment.
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David C. Paul

David C. Paul, Charles Ives in the Mirror: American Histories of an Iconic Composer. University of Illinois Press. ISBN 978-0-252-03749-8. Supported by AMS 75 PAYS Endowment.
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Brigid Cohen

Brigid Cohen, Stefan Wolpe and the Avant-Garde Diaspora. Cambridge University Press. ISBN 1107003008. Supported by the Endowment.
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Anthony J. Bushard

Anthony J. Bushard, Leonard Bernstein's On the Waterfront: A Film Score Guide. Scarecrow Press. ISBN 0810881373. Supported by AMS 75 PAYS Endowment.
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Kevin Bartig

Kevin Bartig, Composing for the Red Screen: Prokofiev and Soviet Film. Oxford University Press. ISBN 0199967598. Supported by AMS 75 PAYS Endowment.
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Catherine Tackley

Catherine Tackley, Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert. Oxford University Press.. ISBN 0195398319. Supported by the Kinkeldey Endowment.
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Anna Schultz

Anna Schultz, Singing a Hindu Nation: Marathi Devotional Performance and Nationalism. Oxford University Press. ISBN 0199730830. Supported by AMS 75 PAYS Endowment.
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Russell Stinson, J. S. Bach at His Royal Instrument: Essays on His Organ Works. Oxford University Press. ISBN 019991723X. Supported by the Plamenac Endowment.
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James M. Doering

James M. Doering, The Great Orchestrator: Arthur Judson and American Arts Management. University of Illinois Press. ISBN 0252037413. Supported by AMS 75 PAYS Endowment.
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Emily I. Dolan

Emily I. Dolan, The Orchestral Revolution: Haydn and the Technologies of Timbre. Cambridge University Press. ISBN 1-107-02825-6. Supported by AMS 75 PAYS Endowment.
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Forthcoming

Jennifer Bain, Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge University Press; supported by the AMS 75 PAYS Endowment

Billee Bonse-Mitchell, Margarita Mazo, and Olga Haldey, Igor Stravinsky’s Les Noces in Sketches and Drafts [facsimile edition], A-R Editions; supported by the Plamenac Endowment

Benjamin Brand, Holy Treasure and Sacred Song: Relic Cults and their Liturgies in Medieval Tuscany, Oxford University Press; supported by the AMS 75 PAYS Endowment

Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music in France, 1958-1980, Oxford University Press; supported by the AMS 75 PAYS Endowment

Margaret Butler, "Time Management at Turin’s Teatro Regio: Galuppi’s La clemenza di Tito and Its Alterations, 1759", Early Music; supported by the Brook Endowment

Margaret Butler, "Gluck’s Alceste in Bologna: Production and Performance at the Teatro Comunale, 1778", JAMS; supported by the Brook Endowment

David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna, Oxford University press; supported by the Donna Cardamone Jackson Endowment

Todd Decker, Who Should Sing “Ol’ Man River”?: The Lives of an American Song, Oxford University press; supported by the John Daverio Endowment

Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice, Duke University Press; supported by the AMS 75 PAYS Endowment

Annegret Fauser, Sounds of War: Music in the United States during World War II, Oxford University Press; supported by the Plamenac Endowment

Kimberly Francis, Nadia Boulanger: Teaching Stravinsky, Oxford University Press; supported by the AMS 75 PAYS Endowment

Jason Geary, The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy, Oxford University Press; supported by the AMS 75 PAYS Endowment

Nalini Ghuman, Resonances of the Raj: India in the English Musical Imagination, 1897-1947, Oxford University Press; supported by the Manfred Bukofzer Endowment

Roger Mathew Grant, Beating Time and Measuring Music in the Early Modern Era, Oxford University Press; supported by the AMS 75 PAYS Endowment

Rufus E. Hallmark, Robert Schumann. Frauenliebe und Leben, Op. 42: Context, Composition, and Interpretation, Cambridge University Press; supported by the Daverio Endowment

Kenneth Hamilton & Monika Hennemann, The Piano in Prose. Scarecrow Press; supported by the Hibberd Endowment

Clayton Henderson, The Charles Ives Tunebook, second revised edition, Indiana University Press; supported by the Hibberd Endowment

Herbert Kellman, The Chigi Codex: A Monument of Late Burgundian Music and Art. University of Chicago Press; supported by the Picker Endowment

Elaine Kelly, Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music, Oxford University Press; supported by the AMS 75 PAYS Endowment

Elisabeth LeGuin, Indispensable Ornaments: Performing Comic Musical Theater in Enlightenment Madrid, University of California Press; supported by the Hanson Endowment

Alexander Lingas, Sunday Matins in the Byzantine Cathedral Rite: Music and Liturgy. Ashgate Press; supported by the Reese Endowment

Michael Ochs, Joseph Rumshinsky, Di goldene kale, 1923. Full-Score Critical Edition., A-R Editions; supported by the Gustave Reese Endowment

Janet K. Page, Nuns, Music, and Politics in Eighteenth-Century Vienna, Cambridge University Press; supported by the AMS 75 PAYS Endowment

Katelijne Schiltz, Music and Riddle Culture in the Renaissance, Cambridge University Press; supported by the Martin Picker Endowment

Assaf Shelleg, Jewish Contiguities and the Soundtrack of Israeli History, Oxford University Press; supported by the AMS 75 PAYS Endowment

Bryan Simms, Pro-Mundo - Pro-Domo: The Writings of Alban Berg, Oxford University Press; supported by the Hibberd Endowment

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities, University of Illinois Press; supported by the AMS 75 PAYS Endowment

Andrew Talle, Keyboard Culture in the Time of J.S. Bach, University of Illinois Press; supported by the AMS 75 PAYS Endowment

Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe, Oxford University Press; supported by the Margarita M. Hanson Endowment

Jessica L. Wood, Pained expression: metaphors of sickness and signs of 'authenticity' in Kurt Cobain's Journals, Cambridge University Press; supported by the Reese Endowment

Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet, Cambridge University Press; supported by the Otto Kinkeldey Endowment

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