Publications supported by AMS Publication Subventions 2016

2016    2015    2013-2014   2011-2012   2007-2010   2001-2006   1997-2000   1996 and earlier    Forthcoming

See these books at the AMS Amazon bookstore   •    See the latest round of subvented books


2016

Wriggle

John Wriggle, Blue Ryythm Fantasy: Big Band Jazz Arranging in the Swing Era. University of Illinois Press. ISBN 978-0-252-04040-5. Supported by The AMS 75 PAYS Endowment.

Don M. Randel (Editor), Matthew Shaftel (Editor), Susan Forscher Weiss, A Cole Porter Companion. University of Illinois Press . ISBN 978-0252081583. Supported by the Donna Cardamone Jackson Endowment.

Gavin Steingo

Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. University of Chicago Press. ISBN 978-0226362540. Supported by AMS 75 PAYS Endowment.

Jeffrey Summit

Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism. Oxford University Press. ISBN 978-0190497088. Supported by the Dragan Plamenac Endowment.

Colleen Reardon

Colleen Reardon, A Sociable Moment: Opera and Festive Culture in Baroque Siena. Oxford University Press. ISBN 978-0190496302. Supported by the Gustave Reese Endowment.

Jean E. Snyder

Jean E. Snyder, [title]. University of Illinois Press. ISBN 978-0252039942. Supported by the Lloyd Hibberd Endowment.

Jonathan Glasser

Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa. University of Chicago Press. ISBN 978-0226327235. Supported by AMS 75 PAYS Endowment.

Bruce Haynes and Geoffrey Burgess

Bruce Haynes and Geoffrey Burgess, The Pathetick Musician: Moving an Audience in the Age of Eloquence. Oxford University Press. ISBN 978-0199373734. Supported by the Margarita M. Hanson Endowment.

Thomas H. Greenland

Thomas H. Greenland, Jazzing: New York City's Unseen Scene. University of Illinois Press. ISBN 978-0252081606. Supported by AMS 75 PAYS Endowment.

Jeffrey Swinkin

Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press. ISBN 978-1580465267. Supported by AMS 75 PAYS Endowment.

Thomas Patteson

Thomas Patteson, Instruments for New Music: Sound, Technology, and Modernism . University of California Press. ISBN 978-0520288027. Supported by AMS 75 PAYS Endowment.

Bradley Shope

Bradley Shope, American Popular Music in Britain's Raj. University of Rochester Press. ISBN 978-1580465489. Supported by AMS 75 PAYS Endowment.

Lawrence Kramer

Lawrence Kramer, The Thought of Music. University of California Press. ISBN 978-0520288805. Supported by the Joseph Kerman Endowment.

Douglas Shadle

Douglas Shadle, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise. Oxford University Press. ISBN 978-0199358649. Supported by AMS 75 PAYS Endowment.


2015

Kimberly Francis

Kimberly Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon. Oxford University Press. ISBN 978-0199373697. Supported by AMS 75 PAYS Endowment.

Kate van Orden

Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Oxford University Press. ISBN 978-0199360642. Supported by the Margarita M. Hanson Endowment.

Nina Sun Eidsheim

Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice. Duke University Press. ISBN 978-0822360612. Supported by AMS 75 PAYS Endowment.

Paul F. Rice

Paul F. Rice, Venanzio Rauzzini in Britain. University of Rochester Press. ISBN 978-1580465328. Supported by the Margarita M. Hanson Endowment.

J. Martin Daughtry

J. Martin Daughtry, Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq Oxford University Press. ISBN 978-0199361496. Supported by AMS 75 PAYS Endowment.

Bryan Proksch

Bryan Proksch, Reviving Haydn. University of Rochester Press. ISBN 978-1580465120. Supported by AMS 75 PAYS Endowment.

Judy Lochhead

Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. Routledge. ISBN 978-1138824331. Supported by the Lloyd Hibberd Endowment.

Ronnie Gilbert

Ronnie Gilbert, Ronnie Gilbert: A Radical Life in Song. University of California Press. ISBN 978-0520253087. Supported by the Gustave Reese Endowment.

Ryan Thomas Skinner

Ryan Thomas Skinner, Bamako Sounds: The Afropolitan Ethics of Malian Music. University of Minnesota Press. ISBN 978-0816693504. Supported by AMS 75 PAYS Endowment.

Sarah Gutsche-Miller

Sarah Gutsche-Miller, Parisian Music-Hall Ballet, 1871-1913. University of Rochester Press . ISBN 978-1580464420. Supported by AMS 75 PAYS Endowment.

Tanya Merchant

Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory . University of Illinois Press. ISBN 978-0252081064. Supported by AMS 75 PAYS Endowment.

Paul Schleuse

Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. Indiana University Press. ISBN 978-0253015013. Supported by the Margarita M. Hanson Endowment.

Marie Sumner Lott

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities. University of Illinois Press. ISBN 978-0252039225. Supported by AMS 75 PAYS Endowment.

Katelijne Schiltz

Katelijne Schiltz, Music and Riddle Culture in the Renaissance. Cambridge University Press. ISBN 978-1107082298. Supported by the Martin Picker Endowment.

Christopher Alan Reynolds

Christopher Alan Reynolds, Wagner, Schumann, and the Lessons of Beethoven's Ninth. University of California Press. ISBN 978-0520285569. Supported by the Joseph Kerman Endowment.

Martha Feldman

Martha Feldman, The Castrato: Reflections on Natures and Kinds. University of California Press. ISBN 978-0520279490. Supported by the Gustave Reese Endowment.

Anna Zayaruznaya

Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge University Press. ISBN 978-1107039667. Supported by the Otto Kinkeldey Endowment.

Danielle Fosler-Lussier

Danielle Fosler-Lussier, Music in America's Cold War Diplomacy. University of California Press. ISBN 978-0520284135. Supported by the Gustave Reese Endowment.

Sharon Meredith

Sharon Meredith, Tuk Music Tradition in Barbados. Ashgate Publishing. ISBN 978-1472440273. Supported by the Otto Kinkeldey Endowment.

Amy C. Beal

Amy C. Beal, Johanna Beyer (American Composers). University of Illinois Press. ISBN 978-0252080722. Supported by the Manfred Bukofzer Endowment.

Amy C. Beal

Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980. Oxford University Press. ISBN 978-0199377060. Supported by AMS 75 PAYS Endowment.


Forthcoming

Jennifer Bain, Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge University Press; supported by the AMS 75 PAYS Endowment

Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford University Press); supported by the Joseph Kerman Endowment

Billee Bonse-Mitchell, Margarita Mazo, and Olga Haldey, Igor Stravinsky’s Les Noces in Sketches and Drafts [facsimile edition], A-R Editions; supported by the Plamenac Endowment

Benjamin Brand, Holy Treasure and Sacred Song: Relic Cults and their Liturgies in Medieval Tuscany, Oxford University Press; supported by the AMS 75 PAYS Endowment

Margaret Butler, "Time Management at Turin’s Teatro Regio: Galuppi’s La clemenza di Tito and Its Alterations, 1759", Early Music; supported by the Brook Endowment

Margaret Butler, "Gluck’s Alceste in Bologna: Production and Performance at the Teatro Comunale, 1778", JAMS; supported by the Brook Endowment

David Brodbeck, Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna, Oxford University press; supported by the Donna Cardamone Jackson Endowment

James Revell Carr, Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Mark Clague, The Star-Spangled Banner Songbook (Star-Spangled Music Foundation); supported by the Manfred Bukofzer Endowment

Nicholas Cook, Beyond the Score: Music as Performance (Oxford University Press); supported by the Donna Cardamone Jackson Endowment

Adrian Daub, Four-Handed Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture (Oxford University Press); supported by the AMS 75 PAYS Endowment

Todd Decker, Who Should Sing “Ol’ Man River”?: The Lives of an American Song, Oxford University press; supported by the John Daverio Endowment

Annegret Fauser, Sounds of War: Music in the United States during World War II, Oxford University Press; supported by the Plamenac Endowment

Jason Geary, The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy, Oxford University Press; supported by the AMS 75 PAYS Endowment

Nalini Ghuman, Resonances of the Raj: India in the English Musical Imagination, 1897-1947, Oxford University Press; supported by the Manfred Bukofzer Endowment

Roger Mathew Grant, Beating Time and Measuring Music in the Early Modern Era, Oxford University Press; supported by the AMS 75 PAYS Endowment

Rufus E. Hallmark, Robert Schumann. Frauenliebe und Leben, Op. 42: Context, Composition, and Interpretation, Cambridge University Press; supported by the Daverio Endowment

Kenneth Hamilton & Monika Hennemann, The Piano in Prose. Scarecrow Press; supported by the Hibberd Endowment

Clayton Henderson, The Charles Ives Tunebook, second revised edition, Indiana University Press; supported by the Hibberd Endowment

Lauren McGuire Jennings, Senza Vestimenta: The Literary Tradition of Trecento Song (Ashgate Publishing); supported by the AMS 75 PAYS Endowment

Herbert Kellman, The Chigi Codex: A Monument of Late Burgundian Music and Art. University of Chicago Press; supported by the Picker Endowment

Elaine Kelly, Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music, Oxford University Press; supported by the AMS 75 PAYS Endowment

Elisabeth LeGuin, Indispensable Ornaments: Performing Comic Musical Theater in Enlightenment Madrid, University of California Press; supported by the Hanson Endowment

Alexander Lingas, Sunday Matins in the Byzantine Cathedral Rite: Music and Liturgy. Ashgate Press; supported by the Reese Endowment

Robert Marovich, Shout Troubles Over: The Birth of Gospel Music in Chicago (University of Illinois Press); supported by the AMS 75 PAYS Endowment

Seth Monahan, Mahler’s Musical Novels: Tradition, Teleology, and Narrative in the Symphonic Sonata Forms (Oxford University Press); supported by the AMS 75 PAYS Endowment

Michael Ochs, Joseph Rumshinsky, Di goldene kale, 1923. Full-Score Critical Edition., A-R Editions; supported by the Gustave Reese Endowment

Janet K. Page, Nuns, Music, and Politics in Eighteenth-Century Vienna, Cambridge University Press; supported by the AMS 75 PAYS Endowment

David Schwarz and Richard Cohn, David Lewin’s "Morgengruss" (Oxford University Press); supported by the Joseph Kerman Endowment

Assaf Shelleg, Jewish Contiguities and the Soundtrack of Israeli History, Oxford University Press; supported by the AMS 75 PAYS Endowment

Timothy Shephard, Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440-1530 (Oxford University Press); supported by the AMS 75 PAYS Endowment

Bryan Simms, Pro-Mundo - Pro-Domo: The Writings of Alban Berg, Oxford University Press; supported by the Hibberd Endowment

Andrew Talle, Keyboard Culture in the Time of J.S. Bach, University of Illinois Press; supported by the AMS 75 PAYS Endowment

Jessica L. Wood, Pained expression: metaphors of sickness and signs of 'authenticity' in Kurt Cobain's Journals, Cambridge University Press; supported by the Reese Endowment

     Follow the AMS

      AMS at Facebook   AMS on Twitter   AMS at YouTube