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The fund was established by the Board of Directors as they framed
the OPUS project, both to honor H. Wiley Hitchcock (1923-2007) for a lifetime
of achievement in American music and to assure the Society’s
continued partnership in a central project of American musicologists,
MUSA (Music of the United States of America).
Richard Crawford writes: Born in Detroit, Michigan, Hitchcock
attended Dartmouth College and served in the U.S. military during
World War II. The postwar years found him studying music in Paris
with Nadia Boulanger and musicology in Ann Arbor at the University
of Michigan. By 1954, when he finished his Ph.D. with a dissertation
on the sacred music of Marc-Antoine Charpentier, he was already
a full-time Michigan faculty member. The teaching career he launched
there in 1950 took him in 1961 to Hunter College, and a decade later
to Brooklyn College of the City University of New York, from which
he retired in 1993 as a CUNY Distinguished Professor.
A list of his achievements includes his founding and leadership
of the Institute for Studies in American Music at Brooklyn College
(1971-93), and his editorship of The New Grove Dictionary of
American Music (with Stanley Sadie, 1986), the Prentice Hall
History of Music series (beginning in 1965), A-R Editions' Recent
Researches in American Music series (beginning in 1976), Da Capo
Press's Earlier American Music series (beginning in 1972), the ISAM
monograph series (beginning in 1976), and the ISAM Newsletter (1971).
He served as president of the Music Library Association (1966-67),
the Charles Ives Society (1973-92) and the American Musicological
Society (1990-92), and he organized festival-conferences on Charles
Ives (with Vivian Perlis in 1974) and the centennial of the phonograph
(with Rita Mead in 1977). He also served on the editorial boards
of New World Records, founded in 1975 by the Rockefeller Foundation,
and of Music of the United States of America, or MUSA.
To read Hitchcock on music is to enter into the experience of a
responsive, historically informed music lover who has mastered the
craft of writing. His textbook Music in the United States: A
Historical Introduction, written for the Prentice-Hall series,
and now in its fourth edition, has introduced many readers to the
subject since its first publication in 1969. His critical edition
of 129 songs by Charles Ives appeared in 2004.
H. Wiley Hitchcock died in New York City, after a long illness, on 5 December 2007.

Founded in 1988, MUSA is a collaborative venture administered by
the American Musicological Society through its Committee on the
Publication of American Music (COPAM) and is published by A-R Editions,
Inc. of Madison, Wisconsin. The Society for American Music contributes
to the development of the series through its representative to COPAM.
MUSA is supported by a grant from the National Endowment for the
Humanities and hosted by the University of Michigan at its American
Music Institute.
MUSA
web site
as of 1 November 2007:
Balance: $36,025
Donors (49):
Elizabeth Bergman
Donald Berman
Helen Boatwright
William Bolcom
Michael Broyles
J. Peter Burkholder*
Mark Clague
Dale Cockrell
Richard Crawford**
Daniel Dorff
Susan Feder*
Martha V. Flickett
Barbara Haws
John Heiss
John Hajdu Heyer
Ellie M. Hisama
H. Wiley Hitchcock*
Ralph Jackson
Roland Jackson (NY)
James M. Kendrick
Louise Litterick
Suzanne Lovejoy
Jeffrey & Gayle D. Sherwood Magee
Marita P. McClymonds
Hugh T. McElrath
Anne Dhu McLucas
Brian Moon
Robert P. Morgan
Carol Oja*
June C. Ottenberg
George Pappastavrou
Vivian Perlis*
Katherine Preston
Thomas L. Riis
Lois Rosow
Alfred and Jane Ross
Joel Sachs
Gunther Schuller*
Carol O. Selle
Wayne D. Shirley
James Sinclair*
Christopher Smith
Jan Swafford
Joanne Swenson-Eldridge*
Jeffrey Taylor
Richard Warren*
** = $5,000 or more
* = $1,000 or more

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