|
American Musicological Society |
|
|
Fall Meeting,
September 20, 2008 |
|
|
Saturday, September 20 |
|
| 8:30 am | Registration and Refreshments (Rosen Concert Hall Lobby) |
| 9:00 | Welcome and Opening Remarks (Recital Hall, Room 129) |
| 9:15 | Paper Session 1: Twentieth-Century Music (Chair: Victor Mansure, Appalachian State University) |
|
Sarah Kahre (The Florida State University): “A Home Talent: W. S. Mason and the Development of Charleston, West Virginia’s Performing Community” |
|
|
Felix Cox (East Carolina University): “The Blue Radio Network’s Contemporary Composers Series, Fall 1944” |
|
|
Suzi Mills (Appalachian State University): “The Power of Choral Music in the Reconstruction of a New South Africa” |
|
| 10:45 | Break |
| 11:00 | Keynote Speaker |
|
Douglass Seaton (The Florida State University): “Harold in Italy, or Childe Harold’s Vacation: Some Observations on Narrativity” |
|
| 12:00 | Lunch |
| 1:45 | Business meeting |
| 2:00 | Paper Session 2: Lieder (Chair: David Levy, Wake Forest University) |
|
Molly M. Breckling (The University of North Carolina at Chapel Hill): “Smashing the Blocks of Stone: Hermeneutic Manipulation in Mahler’s Wunderhorn Lieder” |
|
|
Benjamin McKay Ayotte (The University of North Carolina at Greensboro): “Tonality and Narrative in Heinrich Schenker’s Lieder op. 6” |
|
| 3:00 | Break |
| 3:15 | Paper Session 3: Layers of Musical Meaning (Chair: Reeves Shulstad, Salem College) |
|
Stewart Carter (Wake Forest University): “Marin Marais’s Tombeau pour Mr. de Ste. Colombe: A Secret Chromatic Art?” |
|
|
S. Alexander Reed (University of Florida): “Vocal Timbre and the Canvas of Meaning” |
|
| 4:15 | Adjournment |