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American Musicological Society |
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Spring Meeting,
February 18, 2006 |
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Saturday, February 18 |
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| 9:15 am | Registration and Refreshments (Tyler-Tallman Hall, second floor of the Sloan Music Center) |
| 9:45 | Paper Session 1: Nadia Boulanger (chair: Neil Lerner, Davidson College) |
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Kimberly Francis (The University of North Carolina at Chapel Hill): “Nadia Boulanger and Hébé: The Composition of the Feminine” |
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Annegret Fauser (The University of North Carolina at Chapel Hill): “‘Mon cher Copland’: Reading the Correspondence Between Nadia Boulanger and Aaron Copland” |
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| 10:45 | Break |
| 11:00 | Keynote Speaker |
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Michael Broyles (Pennsylvania State University): “Revisiting and Reassessing American Musical Modernism” |
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| 12:00 | Lunch |
| 1:30 | Business meeting |
| 2:00 | Paper Session 2: Interpreting Music (chair: Tim Carter, The University of North Carolina at Chapel Hill) |
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Clyde Brockett (Christopher Newport University): “The Descensus into Hell: Two Processional Antiphons” |
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Marie-Louise Catsalis (North Carolina Central University): “Preluding by Example: Alessandro Scarlatti’s Varie introduttioni” |
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| Ethan Lechner (The University of North Carolina at Chapel Hill): “‘The Absolute Music of Bali’: Gamelan, Modernism, and Colin McPhee” | |
| 3:30 | Break |
| 3:45 | Paper Session 3: Issues in Music Historiography (chair: Stewart Carter, Wake Forest University) |
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Patricia Moss (Louisiana State University): “Volkish Thought: The Ideology of Musicology in the Nazi Regime” |
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Kevin Moll (East Carolina University): “Prolegomena to any Future ‘Great Books of Music’” |
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| 4:45 | Reception |