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American Musicological Society |
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Spring Meeting, April 2, 2005 |
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Saturday, April 2 |
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| 9:30 | Registration |
| 9:45 | Welcome and Opening Remarks |
| 10:00 |
Vocal Music of the Early Modern Period (chair: Eleanor F. McCrickard, The University of North Carolina at Greensboro) |
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Kerry McCarthy (Duke University): “Sacred Songs across Generations: Revisiting the 1575 Tallis-Byrd Cantiones” |
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Jason Gersh (The University of North Carolina at Chapel Hill): “Modes of Mediation in William Byrd’s 1589 Cantiones” |
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Don Fader (The University of North Carolina at Chapel Hill): “‘Les chanteurs italiens de M. le duc d’Orléans’: Philippe II d’Orléans's Italian Ensemble, Its Repertory, and Influence, 1701-1706” |
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| 11:30 | Coffee Break |
| 11:45 | The University of North Carolina at |
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Christina Gier (Duke University): “American Masculinity and the Fighting Soldier’s song in WWI” |
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Sarah M. Stoycos (Centre College): “Music and Cultural Identity in the WWII Japanese American Internment Camps” |
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| 12:45 | Lunch Break |
| 2:15 | Business Meeting |
| 2:45 | Folk, Primitivism and Identity (chair:Neil Lerner, Davidson College) |
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Julie Hubbert (University of South Carolina): “‘Untying the Tongue of Kitsch:’ Mahler and the Trivial as Folk” |
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David F. García (The University of North Carolina at Chapel Hill): “Afro-Cuban Jazz: Beyond ‘Rhythm’ and the Primitivist Myth” |
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Travis D. Stimeling (The University of North Carolina at Chapel Hill): “Going Home with the Armadillo: The Improbable Rise of the Cosmic Cowboy” |
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| 4:15 | Coffee Break |
| 4:30 | Nineteenth-Century Responses to Mozart and Beethoven (chair: David Levy, Wake Forest University) |
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Alicia Levin (The University of North Carolina at Chapel Hill): “Recreating “Le Petit Sorcier”: Liszt’s Parisian Debut” |
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Elizabeth Kramer (The University of North Carolina at Chapel Hill): “Spiritual Interpretations in Beethoven Criticism of the Early Nineteenth Century” |
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