|
American Musicological Society |
|
|
Fall Meeting, September 29, 2001 |
|
|
Saturday, September 29 |
|
|
8:30 |
Registration |
| 9:00 | Session I: Opera |
| Andrew Oster (Davidson College): "Revolutionary Opera Buffa: Hans Werner Henze's Der Junge Lord (1965) as Harbinger of Germany's Counterculture" | |
| Rose Theresa (The University of North Carolina at Greensboro): "'Je voudrais être Marguerite' or, Identifying with Gounod's 'Faust'" | |
| 10:00 | Break |
| 10:15 | Session II: Nineteenth-Century Keyboard Music |
| Ruskin Cooper (Davidson College): "From Miniature to Masterpiece: A Schubert Waltz Evolves into Schumann's Carnaval" | |
| Andrew Unsworth (Duke University): "Women as Professional Musicians: 'Lady Organists' in Nineteenth-Century America" | |
| 11:15 | Special Session |
| Susan Boynton (Columbia University): "Medieval Women and 'Women's Song'" | |
| 12:00 | Lunch |
| 1:45 | Business Meeting |
| 2:00 | Session III: Fifteenth-Century Sources |
| Stewart Carter (Wake Forest University): "Benedetto da Maiano's Coronation Group for Alfonso II: Musical Instruments in Stone" | |
| Kevin Moll (East Carolina University): "Realizing Faugues's Missa Le serviteur: Notational Indeterminacy, Performance Choice, and Aesthetics" | |
| 3:00 | Break |
| 3:15 | Session IV: Music and Cinema |
| James Doering (Randolph-Macon College): "'I Never Planned Anything in My Life': Cool Hand Luke and the Musical Commentary of Lalo Schifrin" | |
| Ivan Raykoff (University of South Carolina): "Bahr's Konzert: Towards and Iconography of the 'Romantic' Pianist in Hollywood Films" | |
| Antony John (Duke University): "Prescribing Utopia: Ideology and the Title Song in the Early Movie Musical" | |
| 4:45 | Reception |