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American Musicological Society |
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Spring Meeting, March 20, 1999 |
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Saturday, March 20 |
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8:30 |
Registration, Coffee |
| 9:00 | Session I |
| Candace Bailey (North Carolina Central University): "The English Antecedants of Purcell's Keyboard Music" | |
| Laurel Zeiss (The University of North Carolina at Chapel Hill): "Prolonging 'Virtue in Distress': Accompanied Recitative and the Sentimental Heroine" | |
| 10:15 | Break |
| 10:30 | Session II |
| Julie Hubbert (University of South Carolina): "Wagner and the Aesthetic of Film Music" | |
| Neil Lerner (Davidson College): "Diegetic/Non-Diegetic Ruptures in a Hollywood Parable: Music and Narrative Codes in High Noon (1952)" | |
| 11:45 | Business Meeting |
| 12:00 | Lunch |
| 1:45 | Guest Speaker |
| Alexander Silbiger (Duke University): "Bach and the Chaconne" | |
| 2:45 | Break |
| 3:00 | Session III |
| Alan Armstrong (Mount Olive College): "The Evolution of Fidès' Act V Grand Aria, 'O Prêtres de Baal,' from Meyerbeer's Le Prophète" | |
| Graham Hunt (Duke University): "Wagner's Fairy-Tale: The Use of Refrain as Dramatic Catalyst in Act II of Wagner's Siegfried" | |
| Carl Leafstedt (The University of North Carolina at Greensboro), "The Prologue to Bartók's Duke Bluebeard's Castle in Twentieth-Century Performance Practice: A Case Study in Neglect" | |
| 4:45 | Reception |