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American Musicological Society |
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Spring Meeting, April 19, 1980 |
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8:45 |
Registration (Lobby) |
| 9:15 | Roy V. Magers (Winthrop College): "Quotation in Charles Ives Revisited: The Land of the Free and the Home of the Saved" |
| 9:40 | Thomas Warburton (The University of North Carolina at Chapel Hill): "Ives at Work: The Second Ragtime Piece" |
| 10:05 | Karl Kroeger (Moravian Music Foundation): "A Yankee Tunebook from the Old South: Amos Pilsbury's The United States Sacred Harmony" |
| 10:30 | Nancy Ping (Shaw University): "Brass Bands and Band Musicians in Antebellum Wilmington, N.C." |
| 10:55 | Break |
| 11:15 | Jerald C. Graue (Eastman School of Music): "Novel Symmetries in the Early Works of Bartok" |
| 12:00 |
Lunch and Business Session (Gallery) Luncheon entertainment: John R. Shannon (Sweet Briar College): "The Renaissance," a chapter from the satire Versuch über das wahre Art des Musikgeschichte zu lernen |
| 1:15 | Daniel Heartz (University of California, Berkeley): "'Che mi sembra di morir' -- The Characterization of Donna Anna in the Sextet from Don Giovanni" |
| 2:00 | Robert Kolt (Radford University): "Theodore Thomas and the Rise of Symphony Orchestras in the United States" |
| 2:25 | Break |
| 2:35 | George W. Williams (Duke University): "Jacob Eckhard: From Hessian Mercenary to Generous American" |
| 3:00 | Frank Hurdis (College of Charleston): "Charleston and Low-Country Architecture" |
| 3:30 | Walking Tour |