Friday,
March 11
Ewen Room,
Campus Center
8:15-9:00 Registration,
Coffee, Pastries
9:00 10:30 a.m. Session 1
- Between
Spaces: Politics, Gender, Spirituality
Terry Klefstad
(Belmont University), "Shostakovich, Propagandist?"
Emily Wuchner
(University of Tennessee), "Girl Misunderstood: Judith's Anti-feminist
Characterization in Duke Bluebeard's
Castle"
Virginia
Lamothe (Belmont University), "The Cardinal-Patron as Saint: Opera and
the
Oratory in Seventeenth-Century Rome"
10:30 -11:00 a.m. Break
11:00 a.m. - 12:00
p.m. Session 2 -
Interrogating Gender: Cyborgs, Feminism, and Sound
(Panel Presentation)
Jordan Baker
(University of Tennessee), "Gender and Subject: A Critical
Evaluation of
Butler's Concept of ÔSubjectless' Gender"
Christina
Hastie (University of Tennessee), "Farinelli, il Castrato: The
Cyborgian
Man"
Jacob Morris (University of
Tennessee),
"Performing the Future: Laurie Anderson and the Cyborg Sound as
Postgender Prophecy"
12:00 PM: Business Lunch
Ewen Room,
Campus Center
2:00 - 3:45: Ron
Pen: Keynote Address and Shape-Note Singing Session
4:00 - 5:30 p.m. Session
3 -- Analytic
Approaches
Jeremy Grall
(University of Alabama), "Linguistic Structures in Sixteenth-Century
Ornamentation: What Do Ornaments Mean?"
Kelly Fallon
(Indiana State University), "Reevaluating Dvoř‡k's Symphony No. 6 in D
major: Assessing
the Influence of Pyotr Il′yich
Tchaikovsky"
Theresa
Cole (University of Louisville), "Poetic Alteration in Wolf's Trunken mŸssen wir alle sein!"
7:30: Special Event: John Harrod, In
Search of the Lost Hornpipe
Saturday,
March 12
Ewen Room,
Campus Center
8:00 - 8:30: Coffee and
pastries
8:30 - 10:30
a.m. Session 4 -- Song in
the Twentieth Century
David Carson
Berry (University of Cincinnati, College-Conservatory of Music),
"Metaphorical
Interpretations of Modality in American Popular Songs, ca. 1920-50"
John Hausmann
(University of Louisville), "Religious Thought as Manifested in the
Musical
Content of George Harrison's Brainwashed"
Jessica
Moore-Lucas (Middle Tennessee State University), "Reconsidering
Borrowing:
Charles Ives and Reverential Parody"
Vicki Stroeher
(Marshall University), "A Preliminary Investigation of Benjamin
Britten's Uses
of Monotone in Song"
10:30 - 10:45
a.m. Break
10:45 a.m. - 12:15
p.m. Session 5 --
Music Appreciation in Nineteenth-Century America
Pam Dennis
(University of Memphis), "Near-Forgotten Nineteenth-Century Female
Musicians
Remembered through The Etude"
Francisco Albo
(Georgia State University), "Historical Pianoforte Concerts in New York
City,
1860-1876"
Douglas Shadle
(University of Louisville), "From Digital to Analog: A College
Student's
Playlist in the Antebellum South"