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Sat July 4, 2009
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Sat July 4, 2009
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The Noah Greenberg Award Winners
| 2008 | Adam Knight Gilbert | “Fifteenth-Century Counterpoint and Improvisation.” |
| 2007 | Elisabeth Le Guin | “Audience Performance Practice: A Pilot Project” |
| 2006 | Christopher Wolverton, Vox Early Music Ensemble, and Honey Meconi, University of Rochester | Extreme Singing: Very Low Music of the Renaissance |
| 2005 | Catherine Gordon-Seifert, Elisabeth Belgrano, and Stephen Stubbs | The Lyric Art of Bénigne de Bacilly From Drinking Songs to Spiritual Airs |
| 2004 | Philip Cave and Sally Dunkley | Honour, Glory, Light of Flanders: The Music of Philippe Rogier |
| 2003 | Christopher Stembridge | Complete Edition of the Keyboard Works of Girolamo Frescobaldi |
| 2002 | Maria I. Rose | Nineteenth-Century Piano Recording Project |
| 2001 | Talisman | CD: "Music of Russian Princesses From the Court of Catherine the Great" Listen, purchase |
| 2000 | Steven Zohn and The Publick Music | Music for a Mixed Taste. First Recordings of Telemann's Early Trios |
| 1999 | Victor Coelho and the Complesso Barocco, Alan Curtis, Director | The 1608 Florentine Intermedi: Music for the Wedding of Cosimo II Medici and Maria Maddalena of Austria |
| 1998 | Musicians of the Old Post Road | CD: "Trios and Scottish Song Settings of J. N. Hummel" |
| 1997 | Kate van Orden and The King’s Noyse | Collaborative series of concerts and recording of voix de ville from Renaissance Paris |
| 1996 | Louise Stein | Series of performances and recording of Tomás de Torrejón Velasco, La purpura de la rosa |
| 1996 | Jeanice Brooks and Daniel Leech-Wilkinson | Performance workshops and concerts by the Orlando Consort and Musica Secreta, Twenty-Third International Conference of Medieval and Renaissance Music, Southampton, 1996 |
| 1995 | Jeannette Sorrell and Apollo’s Fire | Reconstruction of American Music in the Federalist Period |
| 1994 | Frederick Gable | Hamburg Gertrudenmusic of 1607 |
| 1993 | Richard G. King | Editing and Recording of Eighteenth-century Dutch music for the Viola da Gamba |
| 1992 | Alexander Blachly | Recording of the Sacred Works of Antoine Busnoys |
| 1991 | Kristin Thelander | Recording of Early-Nineteenth Century Music for Natural Horn and Pianoforte |
| 1990 | D.C. Hall's New Concert and Quadrille Band, directed by Peter Bloom | Recording of Concert Music from Mid-Nineteenth-Century America |
| 1990 | Juliane Baird | Recording of Three Cantatas of Johann Adolf Hasse |
| 1989 | Linda Kobler | recording of early Italian Seventeenth-Century Harpsichord Works by Giovanni Picchi, Bernardo Storace, Michelangelo Rossi, Gregorio Strozzi (four works previously unrecorded) |
| 1988 | Robert Stephen Hill | Recording of Neglected Early J.S. Bach Keyboard Works |
| 1987 | Peter Urquhart | Canon in the Music of Josquin Desprez |
| 1986 | Evan Johnson | Mystery Sonatas of Heinrich Franz Biber, Performance and Recording |
| 1985 | Boston Renaissance Ensemble | Program of late Fifteenth- and early Sixteenth-century music in collaboration with Andrea von Ram |
| 1985 | John Hajdu | Performance and recording of two motets by Lully planned to coincide with Lully's tercentenary |
| 1984 | No Award | |
| 1983 | Mary Cyr & Frederick Stoltzfus | Recording of six cantatas by Buxtehude |
| 1982 | Spencer Carroll | Video production of Roman de Fauvel |
| 1981 | Maria Fowler | Production of Guillaume de Dole |
| 1981 | Timothy Aarset | Book: The Art of Improvisation in Renaissance Music: Ensemble Polyphony in the Franco-Flemish Tradition, 1480–1550 |
| 1980 | Philip Brett | Performances of Peri, Euridice, and Monteverdi, Orfeo (1980); recording of portions of Byrd, Gradualia |
| 1980 | Ross W. Duffin | Edition of Dufay chansons (Ogni Sorte editions) |
| 1979 | John Hajdu | Recording of Jean Gilles, Messe de morts |
| 1978 | Richard Taruskin | Recording of Ockeghem, Missa Prolationum |
