THE NOAH GREENBERG AWARD
The Noah Greenberg Award was established by the Trustees of the New York Pro Musica Antiqua in memory of their founder and first director. The award is intended as a grant-in-aid to stimulate active cooperation between scholars and performersby recognizing and fostering outstanding contributions to historical performing practices.
It is named for Noah Greenberg (1919–1966), pioneer in the field of early music performance and distinguished member of the Society.
RECIPIENTS
| 2007 | Elisabeth Le Guin | “Audience Performance Practice: A Pilot Project” |
| 2006 | Christopher Wolverton, Vox Early Music Ensemble, and Honey Meconi, University of Rochester | Extreme Singing: Very Low Music of the Renaissance |
| 2005 | Catherine Gordon-Seifert, Elisabeth Belgrano, and Stephen Stubbs | The Lyric Art of Bénigne de Bacilly From Drinking Songs to Spiritual Airs |
| 2004 | Philip Cave and Sally Dunkley | Honour, Glory, Light of Flanders: The Music of Philippe Rogier |
| 2003 | Christopher Stembridge | Complete Edition of the Keyboard Works of Girolamo Frescobaldi |
| 2002 | Maria I. Rose | Nineteenth-Century Piano Recording Project |
| 2001 | Talisman | CD: "Music of Russian Princesses From the Court of Catherine the Great" |
| 2000 | Steven Zohn and The Publick Music | Music for a Mixed Taste. First Recordings of Telemann's Early Trios |
| 1999 | Victor Coelho and the Complesso Barocco, Alan Curtis, Director | The 1608 Florentine Intermedi: Music for the Wedding of Cosimo II Medici and Maria Maddalena of Austria |
| 1998 | Musicians of the Old Post Road | CD: "Trios and Scottish Song Settings of J. N. Hummel" |
| 1997 | Kate van Orden and The King’s Noyse | Collaborative series of concerts and recording of voix de ville from Renaissance Paris |
| 1996 | Louise Stein | Series of performances and recording of Tomás de Torrejón Velasco, La purpura de la rosa |
| 1996 | Jeanice Brooks and Daniel Leech-Wilkinson | Performance workshops and concerts by the Orlando Consort and Musica Secreta, Twenty-Third International Conference of Medieval and Renaissance Music, Southampton, 1996 |
| 1995 | Jeannette Sorrell and Apollo’s Fire | Reconstruction of American Music in the Federalist Period |
| 1994 | Frederick Gable | Hamburg Gertrudenmusic of 1607 |
| 1993 | Richard G. King | Editing and Recording of Eighteenth-century Dutch music for the Viola da Gamba |
| 1992 | Alexander Blachly | Recording of the Sacred Works of Antoine Busnoys |
| 1991 | Kristin Thelander | Recording of Early-Nineteenth Century Music for Natural Horn and Pianoforte |
| 1990 | D.C. Hall's New Concert and Quadrille Band, directed by Peter Bloom | Recording of Concert Music from Mid-Nineteenth-Century America |
| 1990 | Juliane Baird | Recording of Three Cantatas of Johann Adolf Hasse |
| 1989 | Linda Kobler | recording of early Italian Seventeenth-Century Harpsichord Works by Giovanni Picchi, Bernardo Storace, Michelangelo Rossi, Gregorio Strozzi (four works previously unrecorded) |
| 1988 | Robert Stephen Hill | Recording of Neglected Early J.S. Bach Keyboard Works |
| 1987 | Peter Urquhart | Canon in the Music of Josquin Desprez |
| 1986 | Evan Johnson | Mystery Sonatas of Heinrich Franz Biber, Performance and Recording |
| 1985 | Boston Renaissance Ensemble | Program of late Fifteenth- and early Sixteenth-century music in collaboration with Andrea von Ram |
| 1985 | John Hajdu | Performance and recording of two motets by Lully planned to coincide with Lully's tercentenary |
| 1984 | No Award | |
| 1983 | Mary Cyr & Frederick Stoltzfus | Recording of six cantatas by Buxtehude |
| 1982 | Spencer Carroll | Video production of Roman de Fauvel |
| 1981 | Maria Fowler | Production of Guillaume de Dole |
| 1981 | Timothy Aarset | Book: The Art of Improvisation in Renaissance Music: Ensemble Polyphony in the Franco-Flemish Tradition, 1480–1550 |
| 1980 | Philip Brett | Performances of Peri, Euridice, and Monteverdi, Orfeo (1980); recording of portions of Byrd, Gradualia |
| 1980 | Ross W. Duffin | Edition of Dufay chansons (Ogni Sorte editions) |
| 1979 | John Hajdu | Recording of Jean Gilles, Messe de morts |
| 1978 | Richard Taruskin | Recording of Ockeghem, Missa Prolationum |