The Noah Greenberg Award Winners
| 2015 | Jessie Ann Owens and Blue Heron World Premiere Recording of Cipriano de Rore's I madrigali a cinque voci |
| 2014 | Anthony Cummings Collaboration with ensemble "La Morra" on compact disc recording, The Lion's Ear |
| 2013 | Julia Dokter "Recording of Matthias Weckmann's Free Works for Organ: A Practical Application of Tactus and Tempo Research" |
| 2012 | Lori Kruckenberg, Michael Alan Anderson, and the Schola Antiqua of Chicago "Sounding the Neumatized Sequence" |
| 2011 | Philip V. Bohlman and the New Budapest Orpheum Society Representing the Holocaust, Resounding Terezín |
| 2010 | Jesse Rodin and Cut Circle "Josquin's Rome: Hearing and Composing in the Sistine Chapel" |
| 2009 | Liber: Ensemble for Early Music Recording Previously Unrecorded Repertoire of the Trecento |
| 2008 | Adam Knight Gilbert Fifteenth-Century Counterpoint and Improvisation |
| 2007 | Elisabeth Le Guin Audience Performance Practice: A Pilot Project |
| 2006 | Christopher Wolverton, Vox Early Music Ensemble, and Honey Meconi, University of Rochester Extreme Singing: Very Low Music of the Renaissance |
| 2005 | Catherine Gordon-Seifert, Elisabeth Belgrano, and Stephen Stubbs The Lyric Art of Bénigne de Bacilly From Drinking Songs to Spiritual Airs |
| 2004 | Philip Cave and Sally Dunkley Honour, Glory, Light of Flanders: The Music of Philippe Rogier |
| 2003 | Christopher Stembridge Complete Edition of the Keyboard Works of Girolamo Frescobaldi |
| 2002 | Maria I. Rose Nineteenth-Century Piano Recording Project |
| 2001 | Talisman CD: "Music of Russian Princesses From the Court of Catherine the Great" Listen, purchase |
| 2000 | Steven Zohn and The Publick Music Music for a Mixed Taste. First Recordings of Telemann's Early Trios |
| 1999 | Victor Coelho and the Complesso Barocco, Alan Curtis, Director The 1608 Florentine Intermedi: Music for the Wedding of Cosimo II Medici and Maria Maddalena of Austria |
| 1998 | Musicians of the Old Post Road CD: "Trios and Scottish Song Settings of J. N. Hummel" |
| 1997 | Kate van Orden and The King’s Noyse Collaborative series of concerts and recording of voix de ville from Renaissance Paris |
| 1996 | Louise Stein Series of performances and recording of Tomás de Torrejón Velasco, La purpura de la rosa |
| 1996 | Jeanice Brooks and Daniel Leech-Wilkinson Performance workshops and concerts by the Orlando Consort and Musica Secreta, Twenty-Third International Conference of Medieval and Renaissance Music, Southampton, 1996 |
| 1995 | Jeannette Sorrell and Apollo’s Fire Reconstruction of American Music in the Federalist Period |
| 1994 | Frederick Gable Hamburg Gertrudenmusic of 1607 |
| 1993 | Richard G. King Editing and Recording of Eighteenth-century Dutch music for the Viola da Gamba |
| 1992 | Alexander Blachly Recording of the Sacred Works of Antoine Busnoys |
| 1991 | Kristin Thelander Recording of Early-Nineteenth Century Music for Natural Horn and Pianoforte |
| 1990 | D.C. Hall's New Concert and Quadrille Band, directed by Peter Bloom Recording of Concert Music from Mid-Nineteenth-Century America |
| 1990 | Juliane Baird Recording of Three Cantatas of Johann Adolf Hasse |
| 1989 | Linda Kobler Recording of early Italian Seventeenth-Century Harpsichord Works by Giovanni Picchi, Bernardo Storace, Michelangelo Rossi, Gregorio Strozzi (four works previously unrecorded) |
| 1988 | Robert Stephen Hill Recording of Neglected Early J.S. Bach Keyboard Works |
| 1987 | Peter Urquhart Canon in the Music of Josquin Desprez |
| 1986 | Evan Johnson Mystery Sonatas of Heinrich Franz Biber, Performance and Recording |
| 1985 | Boston Renaissance Ensemble Program of late Fifteenth- and early Sixteenth-century music in collaboration with Andrea von Ram |
| 1985 | John Hajdu Performance and recording of two motets by Lully planned to coincide with Lully's tercentenary |
| 1984 | No Award |
| 1983 | Mary Cyr & Frederick Stoltzfus Recording of six cantatas by Buxtehude |
| 1982 | Spencer Carroll Video production of Roman de Fauvel |
| 1981 | Maria Fowler Production of Guillaume de Dole |
| 1981 | Timothy Aarset Book: The Art of Improvisation in Renaissance Music: Ensemble Polyphony in the Franco-Flemish Tradition, 1480–1550 |
| 1980 | Philip Brett Performances of Peri, Euridice, and Monteverdi, Orfeo (1980); recording of portions of Byrd, Gradualia |
| 1980 | Ross W. Duffin Edition of Dufay chansons (Ogni Sorte editions) |
| 1979 | John Hajdu Recording of Jean Gilles, Messe de morts |
| 1978 | Richard Taruskin Recording of Ockeghem, Missa Prolationum |
