Einstein Award Winners
Click Link to display content. Show all | Hide all2001-2009 | 1991-2000 | 1981-1990 | 1967-1980
| 2012 | Francesca Brittan "On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo Fantastique," Journal of the American Musicological Society 64/3: 527–600. |
| 2011 | Jama Stilwell "A New View of the Eighteenth-Century 'Abduction' Opera: Edification and Escape at the Parisian 'Théâtres de la Foire'," Music and Letters 91 (2010): 51-82. |
| 2010 | Nathan Seinen "Kutuzov's Victory, Prokofiev's Defeat: the Revisions of War and Peace," Music & Letters 90 (2009). |
| 2009 | David Trippett "Après une lecture de Liszt: Virtuosity and Werktreue in the ‘Dante’ Sonata," 19th-Century Music 32 (2008). |
| 2008 | Michael J. Puri "Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909-1912)" Journal of the American Musicological Society 60 (2007). |
| 2007 | David Rothenberg "The Marian Symbolism of Spring, ca. 1200-ca. 1500: Two Case Studies." Journal of the American Musicological Society 59 (2006). |
| 2006 | Gundula Kreuzer "Oper im Kirchengewande? Verdi's Requiem and the Anxieties of the Young German Empire." Journal of the American Musicological Society 58 (2005). |
| 2005 | Mauro Calcagno "Signifying Nothing: On The Aesthetics of Pure Voice in Early Venetian Opera." Journal of Musicology 20 (2003). |
| 2004 | Pierpaolo Polzonetti "Mesmerizing Adultery: Cosi fan tutte and the Kornman Scandal," Cambridge Opera Journal 14 (2002). |
| 2003 | Elisabeth Le Guin "'One Says that One Weeps, but One Does Not Weep': Sensible, Grotesque, and Mechanical Embodiments in Boccherini's Chamber Music," Journal of the American Musicological Society 55 (2002). |
| 2002 | W. Anthony Sheppard "An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood," Journal of the American Musicological Society 54 (2001). |
| 2001 | Amy Beal "Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956," Journal of the American Musicological Society 53 (2000). |
| 2000 | Margaret Notley "Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio," Nineteenth-Century Music 23 (1999). |
| 1999 | Simon Morrison "Skryiabin and the Impossible," Journal of the American Musicological Society 51 (1998). |
| 1998 | Berthold Hoeckner "Schumann and Romantic Distance," Journal of the American Musicological Society 50 (1997). |
| 1997 | Pamela Potter "Musicology Under Hitler: New Sources in Context," Journal of the American Musicological Society 49 (1996). |
| 1996 | Arved Ashby "Of Modell-Typen and Reihenformen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation," Journal of the American Musicological Society 48 (1995). |
| 1996 | Rob C. Wegman "Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay's Missa Ave regina caelorum," Journal of Musicology 13 (1995). |
| 1995 | Anne C. Shreffler "'Mein Weg geht jetzt voruber': The Vocal Origins of Webern's Twelve-Tone Composition," Journal of the American Musicological Society 47 (1994). |
| 1994 | David Gramit "Schubert and the Biedermeier: The Aesthetics of Johann Mayrhofer's 'Heliopolis'," Music and Letters 74 (1993). |
| 1993 | Massimo Ossi "Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype," Journal of the American Musicological Society 45 (1992). |
| 1992 | Cliff Eisen "The Mozarts' Salzburg Copyist: Aspects of Attribution, Chronology, Text and Performance Practice," Mozart Studies (Oxford: Clarendon Press, 1991). |
| 1991 | Anne Maria Busse Berger "The Myth of Diminutio per tertium partem," Journal of Musicology 8 (1990). |
| 1990 | Michael Long "Symbol and Ritual in Josquin's Missa di Dadi," Journal of the American Musicological Society 42 (1989). |
| 1989 | Anne Walters Robertson "Benedicamus Domino: the Unwritten Tradition," Journal of the American Musicological Society 41 (1988). |
| 1988 | John Daverio "Schumann's 'Im Legendenton': and Friedrich Schlegel's Arabeske," 19th-Century Music 11 (1987). |
| 1987 | Paula Higgins "In Hydraulis Revisited: New Light on the Career of Antoine Busnois," Journal of the American Musicological Society 39 (1986). |
| 1986 | J. Peter Burkholder "Johannes Martini and the Imitation Mass of the Late Fifteenth Century," Journal of the American Musicological Society 38 (1985). |
| 1985 | R. Peter Jeffery "The Introduction of Psalmody into the Roman Mass by Pope Celestine I (422-432): Reinterpreting a Passage in the Liber Pontificalis," Archiv für Liturgiewissenschaft, Jahrgang 26, Heft 2 (1984). |
| 1984 | Jeffrey Kallberg "Chopin in the Marketplace: Aspects of the International Music Publishing Industry in the First Half of the Nineteenth Century," MLA Notes 39 (1983). |
| 1983 | Elaine R. Sisman "Small and Expanded Forms: Koch's Model and Haydn's Music," Musical Quarterly 68 (1982). |
| 1982 | Gary Tomlinson "Madrigal, Monody, and Monteverdi's 'Via Naturale alla Immitatione'," Journal of the American Musicological Society 34 (1981). |
| 1981 | David A. Bjork "The Kyrie Trope," Journal of the American Musicological Society 33 (1980). |
| 1980 | Richard Taruskin "Opera and Drama in Russia: The Case of Serov's Judith," Journal of the American Musicological Society 32 (1979). |
| 1979 | Curtis A. Price "The Critical Decade for English Music Drama, 1700-1710," Harvard Library Bulletin 26 (1978). |
| 1978 | Charles M. Atkinson "The Earliest Agnus Dei Melody and its Tropes," Journal of the American Musicological Society 30 (1977). |
| 1977 | James Webster "Violoncello and Double Bass in the Chamber Music of Haydn and his Viennese Contemporaries, 1750-1780," Journal of the American Musicological Society 29 (1976). |
| 1976 | Craig Wright "Dufay at Cambrai: Discoveries and Revisions," Journal of the American Musicological Society 28 (1975). |
| 1975 | Eugene K. Wolf & Jean K. Wolf "A Newly Identified Complex of Manuscripts from Mannheim," Journal of the American Musicological Society 27 (1974). |
| 1974 | Lawrence F. Berstein "La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano," Journal of the American Musicological Society 26 (1973). |
| 1973 | Rebecca A. Baltzer "Thirteenth-Century Illuminated Miniatures and the date of the Florence Manuscript," Journal of the American Musicological Society 25 (1972). |
| 1972 | Sarah Fuller "Hidden Polyphony--a Reappraisal," Journal of the American Musicological Society 24 (1971). |
| 1971 | Lewis Lockwood "The Autograph of the first movement of Beethoven's Sonata for Violoncello and Pianforte, opus 69," Music Forum 2 (1970). |
| 1970 | Lawrence Gushee "New Sources for the Biography of Johannes de Muris," Journal of the American Musicological Society 22 (1969). |
| 1969 | Philip Gossett "Rossini in Naples: Some Major Works Recovered," Musical Quarterly 54 (1968). |
| 1968 | Ursula Kirkendale "The Ruspoli Documents on Handel," Journal of the American Musicological Society 20 (1967). |
| 1967 | Richard L. Crocker "The Troping Hypothesis," Musical Quarterly 52 (1966). |
