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Sun May 11, 2008
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Sun May 11, 2008
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THE ALFRED EINSTEIN AWARD
The Alfred Einstein Award was inaugurated in 1967 to honor each year a musicological article of exceptional merit by a scholar in the early stages of his or her career who is a citizen or permanent resident of Canada or the United States.
It is named for Alfred Einstein (1880–1952), distinguished musicologist and member of the Society.
RECIPIENTS
| 2007 | David Rothenberg | “The Marian Symbolism of Spring, ca. 1200–ca. 1500: Two Case Studies,” Journal of the American Musicological Society 59 (2006). |
| 2006 | Gundula Kreuzer | “Oper im Kirchengewande? Verdi's Requiem and the Anxieties of the Young German Empire,” Journal of the American Musicological Society 58 (2005). |
| 2005 | Mauro Calcagno | "Signifying Nothing: On The Aesthetics of Pure Voice in Early Venetian Opera," Journal of Musicology 20 (2003). |
| 2004 | Pierpaolo Polzonetti | "Mesmerizing Adultery: Cosi fan tutte and the Kornman Scandal," Cambridge Opera Journal 14/3 (November, 2002): 263-296. |
| 2003 | Elisabeth Le Guin | "'One Says that One Weeps, but One Does Not Weep': Sensible, Grotesque, and Mechanical Embodiments in Boccherini's Chamber Music," Journal of the American Musicological Society 55 (2002): 207-254. |
| 2002 | W. Anthony Sheppard | "An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood," Journal of the American Musicological Society 54 (2001): 303-57. |
| 2001 | Amy Beal | "Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956," Journal of the American Musicological Society 53 (2000), 105-40 |
| 2000 | Margaret Notley | "Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio," Nineteenth-Century Music 23 (1999), 33-61 |
| 1999 | Simon Morrison | "Skryiabin and the Impossible," Journal of the American Musicological Society 51 (1998), 283–330 |
| 1998 | Berthold Hoeckner | "Schumann and Romantic Distance," Journal of the American Musicological Society 50 (1997), 55–132 |
| 1997 | Pamela Potter | "Musicology Under Hitler: New Sources in Context," Journal of the American Musicological Society 49 (1996), 70–113 |
| 1996 | Arved Ashby | "Of Modell-Typen and Reihenformen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation," Journal of the American Musicological Society 48 (1995), 67–105 |
| 1996 | Rob C. Wegman | "Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay’s Missa Ave regina caelorum," Journal of Musicology 13 (1995), 18–54 |
| 1995 | Anne C. Shreffler | "‘Mein Weg geht jetzt voruber’: The Vocal Origins of Webern’s Twelve-Tone Composition," Journal of the American Musicological Society 47 (1994), 275–339 |
| 1994 | David Gramit | "Schubert and the Biedermeier: The Aesthetics of Johann Mayrhofer’s ‘Heliopolis’," Music and Letters 74 (1993), 355–382 |
| 1993 | Massimo Ossi | "Claudio Monteverdi’s Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype," Journal of the American Musicological Society 45 (1992), 216–304 |
| 1992 | Cliff Eisen | "The Mozarts’ Salzburg Copyist: Aspects of Attribution, Chronology, Text and Performance Practice," Mozart Studies (Oxford: Clarendon Press, 1991), 253–307 |
| 1991 | Anne Maria Busse Berger | "The Myth of Diminutio per tertium partem," Journal of Musicology, 8 (1990), 398–426 |
| 1990 | Michael Long | "Symbol and Ritual in Josquin’s Missa di Dadi," Journal of the American Musicological Society 42 (1989), 1–22 |
| 1989 | Anne Walters Robertson | "Benedicamus Domino: the Unwritten Tradition," Journal of the American Musicological Society 41 (1988), 1–62 |
| 1988 | John Daverio | "Schumann’s ‘Im Legendenton’: and Friedrich Schlegel’s Arabeske," 19th-Century Music 11 (1987), 150–163 |
| 1987 | Paula Higgins | "In Hydraulis Revisited: New Light on the Career of Antoine Busnois," Journal of the American Musicological Society 39 (1986), 36–86 |
| 1986 | J.Peter Burkholder | "Johannes Martini and the Imitation Mass of the Late Fifteenth Century," Journal of the American Musicological Society 38 (1985), 470–523 |
| 1985 | Peter Jeffrey | "The Introduction of Psalmody into the Roman Mass by Pope Celestine I (422–432): Reinterpreting a Passage in the Liber Pontificalis," Archiv für Liturgiewissenschaft, Jahrgang 26, Heft 2 (1984), 147–165 |
| 1984 | Jeffrey Kallberg | "Chopin in the Marketplace: Aspects of the International Music Publishing Industry in the First Half of the Nineteenth Century," MLA Notes 39 (1983), 795–824 |
| 1983 | Elaine R. Sisman | "Small and Expanded Forms: Koch’s Model and Haydn’s Music," Musical Quarterly 68 (1982), 444–75 |
| 1982 | Gary Tomlinson | "Madrigal, Monody, and Monteverdi’s ‘Via Naturale alla Immitatione’," Journal of the American Musicological Society 34 (1981), 60–108 |
| 1981 | David A. Bjork | "The Kyrie Trope," Journal of the American Musicological Society 33 (1980), 1–41 |
| 1980 | Richard Taruskin | "Opera and Drama: The Case of Serov’s Judith," Journal of the American Musicological Society 32 (1979), 74–117 |
| 1979 | Curtis A. Price | "The Critical Decade for English Music Drama, 1700–1710," Harvard Library Bulletin 26 (1978), 38–76 |
| 1978 | Charles M. Atkinson | "The Earliest Agnus Dei Melody and its Tropes," Journal of the American Musicological Society 30 (1977), 1–19 |
| 1977 | James Webster | "Violoncello and Double Bass in the Chamber Music of Haydn and his Viennese Contemporaries, 1750–1780," Journal of the American Musicological Society 29 (1976), 413–438 |
| 1976 | Craig Wright | "Dufay at Cambrai: Discoveries and Revisions," Journal of the American Musicological Society 28 (1975), 175–229 |
| 1975 | Eugene K. Wolf & Jean K. Wolf | "A Newly Identified Complex of Manuscripts from Mannheim," Journal of the American Musicological Society 27 (1974), 379–437 |
| 1974 | Lawrence F. Berstein | "La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano," Journal of the American Musicological Society 26 (1973), 1–68 |
| 1973 | Rebecca A. Baltzer | "Thirteenth-Century Illuminated Miniatures and the date of the Florence Manuscript," Journal of the American Musicological Society 25 (1972), 1–18 |
| 1972 | Sarah Fuller | "Hidden Polyphony—a Reappraisal," Journal of the American Musicological Society 24 (1971), 169–92 |
| 1971 | Lewis Lockwood | "The Autograph of the first movement of Beethoven’s Sonata for Violoncello and Pianforte, opus 69," Music Forum 2 (1970), 1–109 |
| 1970 | Lawrence Gushee | "New Sources for the Biography of Johannes de Muris," Journal of the American Musicological Society 22 (1969), 3–26 |
| 1969 | Philip Gossett | "Rossini in Naples: Some Major Works Recovered," Musical Quarterly 54 (1968), 316–40 |
| 1968 | Ursula Kirkendale | "The Ruspoli Documents on Handel," Journal of the American Musicological Society 20 (1967), 222–73 |
| 1967 | Richard L. Crocker | "The Troping Hypothesis," Musical Quarterly 52 (1966), 183–203 |
